“Honestly I expected it to look off. I sent the first one to my business partner without saying anything and she asked who the girl was.”
“We’d tried two other tools and both just gave us someone talking to camera. I needed the product on screen, b-roll, an actual ending. That was the bit missing.”
“Our agency wanted $4,200 and about three weeks for six. Not everything I generated was usable, to be fair — but two of them are beating the last set we paid for.”
“Scene four came out flat and I assumed I’d have to run the whole thing again. Turns out you can just redo that one shot. Took me embarrassingly long to spot the button.”
“Creative fatigue used to be what killed a good campaign for us, because refreshing it meant another shoot day. Now I build new angles when the CTR starts sliding.”
“Generating it took a few minutes and then I spent longer than that fixing one caption I didn’t like. Still the fastest turnaround we’ve ever had.”
“The call I used to dread was explaining why UGC takes two weeks. Now I turn up with three versions already made and we just pick one.”
“I hooked it up to my own agent through the MCP server one evening. Still check everything before it goes out, but the whole pipeline runs without me now.”

Every scene, caption, and cut — yours to shape on a real multi-track timeline.
A phone-filmed sneaker review — that was never filmed. One brief, native dialogue and all.

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